fotofono


101003: twice good

The last Fotofono event was my favorite so far.
I always have to refrain from starting my posts like this, but this time I am not going to stop it. Eight participants were in, four locals and four from elsewhere. As good as they happened to be, the performances were preceded and I think activated by a potluck feast.

Something fundamental about Fotofono has become clear – on one side there is the high-quality music, while on the other side there is a wholehearted participatory aspect. Everybody realizes this causality, yet immediate (-ist?) relations seem to be complicated in a city like New York (or perhaps it is a matter of times rather than places).

So – cheers, everyone who has helped to make this a tangible reality, artists and audiences alike. The blog is now one year old! Starting today, all the great improvisers and friends of Fotofono will be listed in the category index under ‘participants abc’.

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Bonnie Jones (electronics, mics, cassettes), Andrea Neumann (inner piano, etc.) [22 min. 56 sec.].
The opening set was the tail end of a tour that took Andrea and Bonnie up and down on a segment of the East coast. Their performance was enhanced by a remarkably confident interaction. The use of vocal sounds and singing was startling, at least to me – for a moment I felt transported to the intimate space of their car, in that time/space bubble in which you get when touring.. one city behind you, the next one a handful of hours beyond.
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Margarida Garcia (amplified upright bass), Andrew Lafkas (acoustic upright bass), Barry Weisblat (electric piano) [27 min. 26 sec.].
Barry and Margarida have for sure a well established affinity in sound, and this is the first time that I see Andrew joining them for a trio. I think the three reached an incredible chemistry together. Spacey and kinda spooky, yet perfectly solid and attuned, this piece seems to come from another world.
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Tim Catlin (electric sitar, electronics), Chris Cogburn (percussion, electronics) mpld (amplified slide projectors, computer) [38 min. 35 sec.]
Chris, Tim and I meet here for the first time as a trio. Actually, Tim and Chris had never met before, but were nice enough to try out this combo offhand. Our set was quiet, evolving slowly, longish, and yet very focused. I think that our search for a common space is palpable. I should leave any further comments to the listeners, really… still, a big joy for me to be in this group.
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Download zipped files: ogg [284 MB]; 320 kbps mp3 [195.8 MB].

Recorded by Gill Arno at Fotofono, October 3 2010.
Thanks to Jo Jepsen for the photos of the second and third set.

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100313 – lucre trio and daniel neumann
March 18, 2010, 10:23 pm
Filed under: Bryan Eubanks, Chris Cogburn, Daniel Neumann, events, Lucre trio, Vic Rawlings


Lucre (L to R: Eubanks, Cogburn, Rawlings)

The last event here was the kickstart of an East Coast tour by Chris Cogburn, Bryan Eubanks and Vic Rawlings. The three have been friends and collaborators for some time now, however the two improvisations that they recorded last week document their first time together as a trio. As Bryan wrote, “Building on lengthly playing relationships as duos and in larger groups, we’ll be discovering common ground and developing our music throughout [the tour] through improvisations”.
See the tour page for the trio here.

The evening was opened by Daniel Neumann who presented his piece titled “The Sound of 500 Speer 9 mm. Luger Shells & O Between Fans plus Modular Extensions”, a concert for stereo speakers, room microphone, computer and tape or other extensions.

In Daniel’s own words: “In the electroacoustic live concert The Sound of 500 Speer 9 mm. Luger Shells & O Between Fans two initial sounds are played back. The playback is recorded with a room microphone on to a multitrack sampling tool. From there it repeatedly processes through different modules, one being the room itself, which functions as a filter and is used as an instrument. Other Modular Extensions are carefully added as simultaneous external processes, which influence the narrative. As the two initial sounds are both very aggressive, but in opposite ways, the process of the concert is the struggle between those two sounds about which one gets established in the room. Daniel Neumann leads this struggle between The Sound of 500 Speer 9 mm. Luger Shells Dropped from a Height of 119 Inches at 550 West 21st Street New York, NY, 10011, on April 8th, 2009, 10:37 p.m. – an installation by Ben Turner and a recording of Zilvinas Kempinas’ sculpture O Between Fans.”


Daniel Neumann
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1. Daniel Neumann
2. Chris Cogburn, Bryan Eubanks and Vic Rawlings (a.k.a. Lucre);
3. Chris Cogburn, Bryan Eubanks and Vic Rawlings (a.k.a. Lucre)

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Download zipped files of all three pieces: ogg; 320 kbps mp3.