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Filed under: Andrew Lafkas, Andy Hayleck, Ben Owen, Bryan Eubanks, Carver Audain, Catherine Lamb, Doron Sadja, events, Gill Arno (mpld), Mike Bullock, o.blaat (Keiko Uenishi), sessions, Tim Feeney, Tyler Wilcox
One thing I really enjoy about documenting the meetings at Fotofono is the opportunity to observe firsthand the group dynamics which unfold in and around the studio. As I read the _participants abc list (here at left) I see a loose collective of artists that keeps growing and mutating like an organism. What I like is the unpredictability of its crossings and bifurcations, and the eclectic range of its sonic manifestations.
120115, first set: Doron Sadja
120115, second set: Tyler Wilcox
120115, third set: Andy Hayleck and Ben Owen
This plurality is well reflected in the present post, which includes recordings from two recent events roughly separated by a month of time. The first three tracks are from the latest open doors event of January the 15th, which featured solo sets by Doron Sadja and Tyler Wilcox and a duet by Andy Hayleck and Ben Owen.
A fourth recording was made when a nine-piece ensemble gathered again in the studio just about a month later.
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At work in the dark: Doron Sadja
Doron Sadja (computer) [27 min. 13 sec.].
With firm hands in the flickering candlelight and a resolute evil shine in his eye Doron tames his quadraphonic beast to a lush culmination. Wonderful opening set.
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Tyler shows the score of the piece he’s just performed
Tyler Wilcox (soprano saxophone, field recording)
In this meditative, very quiet set Tyler performs his new composition “4hk4ak 2012”. Field recordings from Coney Island and Rockaway Park Beach are looped into brief sequences, constructing a carefully paced structure over which Tyler lays out his soprano sax playing. A sense of fragility permeates the piece, beautifully enhanced by the absolute stillness held by the audience tightly packed in the studio during the performance [32 min. 28 sec.].
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Andy and Ben chilling during sound check.
Andy Hayleck and Ben Owen (computer and electronics)[25 min. 59 sec.].
Ben and Andy have known each other for years, but to my knowledge this is the first time that they have performed together as a duo. This low-frequency dialogue constitutes a brilliant study on poise and understatement. While the listener’s imagination (at least in my case) drifts in the mystery of the spectral elision, Andy’s and Ben’s sound creature slowly fills the room, finds a comfortable place in it and then slowly dissolves. It takes a few silent minutes before an applause follows and marks the end of the concert.
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mpld projection
Gill Arno (mpld setup), Carver Audain (computer), Mike Bullock (acoustic bass), Bryan Eubanks (electronics), Tim Feeney (percussion), Andrew Lafkas (acoustic bass), Catherine Lamb (viola), Ben Owen (electronics), Keiko Uenishi (computer and microphone) [36 min. 10 sec.].
The last piece of this post shows the other side of fotofono – the last-minute coming together of regular “closed doors” studio sessions.
On February 16th a bunch of improvisers got together when Mike Bullock and Tim Feeney briefly stopped by in Brooklyn while on transit towards New Jersey. This is the first piece of two that were played that night, and I think the recording translates quite well the excitement that I felt at the time for the nice group that had gathered in the studio. For a nine-participant improvised session, there is quite some space for everybody to explore unconstrainedly. As I listen back to this recording I really enjoy finding each participant’s signature sound to define the contour of the collective exploration.
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Download all sets as zipped files:
flac [444.8 MB]
mp3 320 kbps [268.7 MB]
Recorded and prepared by Gill Arno.
Thanks for the photos to Derek Morton and Theres Wegmann.
Filed under: Andrew Lafkas, Bryan Eubanks, Catherine Lamb, events, Jason Kahn, Radu Malfatti, Tucker Dulin
2012 already.. whew!
The time to run Fotofono has been sharply decreasing in the last year. But not the beauty of the concerts and the warmth of the gatherings. This post covers the event of last September, with the lineup brought together by Andrew Lafkas and Bryan Eubanks. It also included Cat Lamb, Jason Kahn, Radu Malfatti and Tucker Dulin.
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First set
Bryan Eubanks (electronics), Jason Kahn (modular synthesizer) [32 min. 25 sec.].
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Second set, performing Radu Malfatti’s composition “Nariyamu”
Andrew Lafkas (bass), Cat Lamb (viola), Radu Malfatti (trombone) Tucker Dulin (trombone) [49 min. 13 sec.].
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First set: Bryan Eubanks
First set: Jason Kahn
Second set: in the studio Malfatti, Dulin, Lamb, Lafkas
and just outside…
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Download both sets as zipped files: flac [334.6 MB]; 320 kbps mp3 [180.3 MB]
First set recorded and mastered by Jason Kahn. Second set recorded by Bryan Eubanks. Thank you guys!
Additional thanks to Pro Helvetia, the Swiss Arts Council, for partially supporting Jason Kahn’s tour.
Filed under: Andrea Belfi, Anne Guthrie, Attila Faravelli, Ben Owen, Berangère Maximin, Billy Gomberg, Chuck Bettis, Corridors (Byron Westbrook), Daniel Neumann, events, Fraufraulein, Gill Arno (mpld), Ignaz Schick, Maria Chavez, news
Once again, time has run awfully short on me, so this post will have to be a little masterpiece of conciseness. Two Fotofono events are joined here, twelve artists in total out of which four were visiting from various parts of Europe. Except for the duo Fraufraulein, which has been around for some time, the other encounters were first-off, or at least pretty new combos.
February 27, 2011 – three duos
Fraufraulein: Anne Guthrie (french horn), Billy Gomberg (synthesizers and computer) [29 min. 39 sec.].
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Maria Chavez (turntable), Daniel Neumann (piano soundboard, microphone, computer) [9 min. 40 sec.].
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Chuck Bettis (computer), Berangère Maximin (computer) [43 min. 34 sec.].
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March 22, 2011 – two trios
mpld (Gill Arno) (modified and amplified slide projectors, computer), Ben Owen (objects, electronics), Ignaz Schick (turntable, objects, electronics) [42 min. 18 sec.].
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Andrea Belfi (drums, percussion, electronics), Attila Faravelli (computer through speakers), Byron Westbrook (Korg MS-10 Synthesizer) [32 min. 20 sec.].
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Download zipped files:
February 27 (3 duos) – ogg [273.9 MB]; 320 kbps mp3 [182.9 MB]
March 22 (2 trios) – ogg [254.4 MB]; 320 kbps mp3 [164.1 MB].
February 27 recorded by Richard Kamerman, March 22 recorded by Byron Westbrook. All mastered by Gill Arno. Thanks to Richard, Byron, and everyone else who played, attended the performances, made pizza, brought wine, shot photos and in any way took part in the events. Additional thanks to Ben Owen for the photo just above. Finally, a special praise to those who during the March event made a donation to the Japan Tsunami Relief Fund (via Keiko Uenishi and Japan Society).
Filed under: Andrea Neumann, Andrew Lafkas, Barry Weisblat, Bonnie Jones, Chris Cogburn, events, Gill Arno (mpld), Margarida Garcia, Tim Catlin
The last Fotofono event was my favorite so far.
I always have to refrain from starting my posts like this, but this time I am not going to stop it. Eight participants were in, four locals and four from elsewhere. As good as they happened to be, the performances were preceded and I think activated by a potluck feast.
Something fundamental about Fotofono has become clear – on one side there is the high-quality music, while on the other side there is a wholehearted participatory aspect. Everybody realizes this causality, yet immediate (-ist?) relations seem to be complicated in a city like New York (or perhaps it is a matter of times rather than places).
So – cheers, everyone who has helped to make this a tangible reality, artists and audiences alike. The blog is now one year old! Starting today, all the great improvisers and friends of Fotofono will be listed in the category index under ‘participants abc’.
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Bonnie Jones (electronics, mics, cassettes), Andrea Neumann (inner piano, etc.) [22 min. 56 sec.].
The opening set was the tail end of a tour that took Andrea and Bonnie up and down on a segment of the East coast. Their performance was enhanced by a remarkably confident interaction. The use of vocal sounds and singing was startling, at least to me – for a moment I felt transported to the intimate space of their car, in that time/space bubble in which you get when touring.. one city behind you, the next one a handful of hours beyond.
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Margarida Garcia (amplified upright bass), Andrew Lafkas (acoustic upright bass), Barry Weisblat (electric piano) [27 min. 26 sec.].
Barry and Margarida have for sure a well established affinity in sound, and this is the first time that I see Andrew joining them for a trio. I think the three reached an incredible chemistry together. Spacey and kinda spooky, yet perfectly solid and attuned, this piece seems to come from another world.
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Tim Catlin (electric sitar, electronics), Chris Cogburn (percussion, electronics) mpld (amplified slide projectors, computer) [38 min. 35 sec.]
Chris, Tim and I meet here for the first time as a trio. Actually, Tim and Chris had never met before, but were nice enough to try out this combo offhand. Our set was quiet, evolving slowly, longish, and yet very focused. I think that our search for a common space is palpable. I should leave any further comments to the listeners, really… still, a big joy for me to be in this group.
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Download zipped files: ogg [284 MB]; 320 kbps mp3 [195.8 MB].
Recorded by Gill Arno at Fotofono, October 3 2010.
Thanks to Jo Jepsen for the photos of the second and third set.
Filed under: Ben Owen, Corey Larkin, events, Fyxzis, o.blaat (Keiko Uenishi), Richard Francis, Richard Kamerman, Steve Flato
With this post, the summer series of our open doors events is entirely archived. Recordings and images this time are from the concert of July 15, which opened with Fyxzis, the A/V project of Corey Larkin, Richard Kamerman and Steve Flato. The trio offered a great blend of digital sound (by Larkin and Flato) and analog video processing (by Kamerman).
Fyxzis was followed by a duo of Ben Owen and o.blaat (Keiko Uenishi), and by a solo set by Richard Francis.
Meeting for the first time as a duo, Ben and Keiko brought in a variety of small microphones, objects and circuits, plus Keiko’s trademark wii-controlled feedback resonator. In addition to that, they also grabbed a large fan from the living room. The fan seems to become huge in the recording, as Keiko maneuvered deftly in the crammed and sweaty Fotofono, simultaneously delivering aural and thermal delight.
Richard Francis ended the evening playing modular synthesizer and computer to create a soothing, airy drone piece. At times, the relaxed chatter of a couple emerged from the slowly shifting hum. The voices sound like an overheard dialogue, close but indistinct, adding a disembodied presence that ebbs in and out of focus through the dreamy atmosphere.
Fyxzis – Steven Flato (electronics, sound), Corey Larkin (electronics, sound),
Richard Kamerman (electronics, visuals) [21 min. 28 sec.].
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Ben Owen (electronics, objects) o.blaat (Keiko Uenishi) (objects, computer) [17 min. 16 sec.].
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Richard Francis (synthesizer, computer) [21 min. 47 sec.].
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Download zipped files: ogg [200.4 MB]; 320 kbps mp3 [133.7 MB].
Recorded by Gill Arno at Fotofono, July 15 2010.
Thanks to Richard Kamerman for the video stills. Richard has posted a 15 minute video from this performance on Vimeo.
Filed under: Andrew Lafkas, Bryan Eubanks, C. Spencer Yeh, events, Mike Bullock, Tim Feeney, Todd Capp, Vic Rawlings
As anticipated in the previous post, this summer was going to be hot at Fotofono. It’s good to think about it, now that brisk winds are blowing it away. Um.. I am probably the only one around who’s missing NYC’s summer steam…. so let’s just talk about music.
The initial idea for the event documented here came up after I listened to Andrew Lafkas and Mike Bullock playing together at Middle Press last May, at the release party for their duo release on Winds Measure Recordings. Both the release and their set were such a treat. I just wanted to try and somehow extend the scope of their collaboration, see where it would lead up to. So I asked if they were into curating together one Fotofono night. The following recordings are the outcome — indeed, more goodies came out of that encounter.
Fast forward to July 23. The tiny Fotofono studio was packed, and some people had to stay in the hallway for the concert. But the doors and windows were full open, as the heat inside was quite extreme. The boundary between the studio and the outside world became fuzzy, and the street noise overlapped with the improvised music coming from inside. Particularly in the first set one can clearly hear the various vehicles passing, a doorbell ringing, and my neighbor’s dog barking and barking, among other things. In the summer heat, everything seemed to melt together.
After the concert I tried to apologize to Vic for the noisy environment. He just replied: ‘Oh, no. We were digging it’!
I liked that. And I liked his choice of words. In retrospect, I can see how the music that he and Tim were playing was meant to open up wide expanses, allowing the sounds of the Brooklyn summer to fill the room, and their music.
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Vic Rawlings (cello, electronics), Tim Feeney (percussion) [24 min. 36 sec.].
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Mike Bullock (bass + electronics), C. Spencer Yeh (violin/voice) [15 min. 10 sec.].
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Andrew Lafkas (bass/electronics), Bryan Eubanks (soprano sax/electronics), Todd Capp (drums) [35 min. 43 sec.].
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Download zipped files: ogg [244.9 MB]; 320 kbps mp3 [164.6 MB].
Recorded by Gill Arno at Fotofono, July 23 2010.
Thanks to Vic Rawlings for the images of this post.
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