fotofono


120115 + 120216 (an improbable tree)

One thing I really enjoy about documenting the meetings at Fotofono is the opportunity to observe firsthand the group dynamics which unfold in and around the studio. As I read the _participants abc list (here at left) I see a loose collective of artists that keeps growing and mutating like an organism. What I like is the unpredictability of its crossings and bifurcations, and the eclectic range of its sonic manifestations.


120115, first set: Doron Sadja


120115, second set: Tyler Wilcox


120115, third set: Andy Hayleck and Ben Owen

This plurality is well reflected in the present post, which includes recordings from two recent events roughly separated by a month of time. The first three tracks are from the latest open doors event of January the 15th, which featured solo sets by Doron Sadja and Tyler Wilcox and a duet by Andy Hayleck and Ben Owen.
A fourth recording was made when a nine-piece ensemble gathered again in the studio just about a month later.

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A
t work in the dark: Doron Sadja
Doron Sadja (computer) [27 min. 13 sec.].
With firm hands in the flickering candlelight and a resolute evil shine in his eye Doron tames his quadraphonic beast to a lush culmination. Wonderful opening set.

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Tyler shows the score of the piece he’s just performed

Tyler Wilcox (soprano saxophone, field recording)
In this meditative, very quiet set Tyler performs his new composition “4hk4ak 2012″. Field recordings from Coney Island and Rockaway Park Beach are looped into brief sequences, constructing a  carefully paced structure over which Tyler lays out his soprano sax playing.  A sense of fragility permeates the piece, beautifully enhanced by the absolute stillness held by the audience tightly packed in the studio during the performance [32 min. 28 sec.].
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Andy and Ben chilling during sound check.

Andy Hayleck and Ben Owen (computer and electronics)[25 min. 59 sec.].
Ben and Andy have known each other for years, but to my knowledge this is the first time that they have performed together as a duo. This low-frequency dialogue constitutes a brilliant study on poise and understatement. While the listener’s imagination (at least in my case) drifts in the mystery of the spectral elision, Andy’s and Ben’s sound creature slowly fills the room, finds a comfortable place in it and then slowly dissolves. It takes a few silent minutes before an applause follows and marks the end of the concert.

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mpld projection

Gill Arno (mpld setup), Carver Audain (computer), Mike Bullock (acoustic bass), Bryan Eubanks (electronics), Tim Feeney (percussion), Andrew Lafkas  (acoustic bass), Cat Lamb (viola), Ben Owen (electronics), Keiko Uenishi (computer and microphone) [36 min. 10 sec.].
The last piece of this post shows the other side of fotofono – the last-minute coming together of regular “closed doors” studio sessions.

On February 16th a bunch of improvisers got together when Mike Bullock and Tim Feeney briefly stopped by in Brooklyn while on transit towards New Jersey. This is the first piece of two that were played that night, and I think  the recording translates quite well the excitement that I felt at the time for the nice group that had gathered in the studio. For a nine-participant improvised session, there is  quite some space for everybody to explore unconstrainedly. As I listen back to this recording I really enjoy finding each participant’s signature sound to define the contour of the collective exploration.

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Download all sets as zipped files:
flac [444.8 MB]
mp3 320 kbps [268.7 MB]

Recorded and prepared by Gill Arno.
Thanks for the photos to Derek Morton and Theres Wegmann.



110912 (September Ff)
January 12, 2012, 12:00 am
Filed under: Andrew Lafkas, Bryan Eubanks, Cat Lamb, events, Jason Kahn, Radu Malfatti, Tucker Dulin

2012 already.. whew!
The time to run Fotofono has been sharply decreasing in the last year. But not the beauty of the concerts and the warmth of the gatherings. This post covers the event of last September, with the lineup brought together by Andrew Lafkas and Bryan Eubanks. It also included Cat Lamb, Jason Kahn, Radu Malfatti and Tucker Dulin.

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First set
Bryan Eubanks (electronics), Jason Kahn (modular synthesizer) [32 min. 25 sec.].

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Second set, performing Radu Malfatti’s composition “Nariyamu”
Andrew Lafkas (bass), Cat Lamb (viola), Radu Malfatti (trombone) Tucker Dulin (trombone) [49 min. 13 sec.].
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First set: Bryan Eubanks


First set: Jason Kahn


Second set: in the studio Malfatti, Dulin, Lamb, Lafkas


and just outside…

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Download both sets as zipped files: flac [334.6 MB]; 320 kbps mp3 [180.3 MB]

First set recorded and mastered by Jason Kahn. Second set recorded by Bryan Eubanks. Thank you guys!
Additional thanks to Pro Helvetia, the Swiss Arts Council, for partially supporting Jason Kahn’s tour.



September Ff
September 9, 2011, 9:08 am
Filed under: Andrew Lafkas, Bryan Eubanks, Cat Lamb, Jason Kahn, news, Radu Malfatti, Tucker Dulin

Summer is almost over – I am back in town, just in time to announce a fantastic Fotofono event this Monday, September 12. Two sets, with some of the best Ff’s usual suspects: Andrew Lafkas, Bryan Eubanks, and Tucker Dulin, who will be joined by Jason Kahn (with whom Bryan is touring the Southern U.S. and West coast) and Radu Malfatti (in town for the Amplify: stones festival). I am also excited to introduce to the Ff event series Cat Lamb, who is relocating to NY from the West coast. Cat is a woderful addition to this concert and to the NY experimental music community, and I would like to think of this event also as a welcome party in her honor.

In three lines:
Monday, September 12, 9:30 pm
Bryan Eubanks and Jason Kahn duo
Andrew Lafkas, Cat Lamb, Radu Malfatti and Tucker Dulin quartet

As always, this is a free admission, RSVP event. Please email gill@unframedrecordings.net for more information.

Jason Kahn’s U.S. tour is partially supported by Pro Helvetia, the Swiss Arts Council. Radu Malfatti’s participation would not have been possible without Erstwile Records and the Amplify 2011: Stones Festival. Fotofono and Unframed Recordings are supported by a few anonymous donors in the U.S., Europe and Oceania. All other participants to this event are supporting themselves autonomously. Our deepest gratitude goes out to each and all.



3 x 2 and 2 x 3

Once again, time has run awfully short on me, so this post will have to be a little masterpiece of conciseness. Two Fotofono events are joined here, twelve artists in total out of which four were visiting from various parts of Europe. Except for the duo Fraufraulein, which has been around for some time, the other encounters were first-off, or at least pretty new combos.

February 27, 2011 – three duos
Fraufraulein: Anne Guthrie (french horn), Billy Gomberg (synthesizers and computer) [29 min. 39 sec.].
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Maria Chavez (turntable), Daniel Neumann (piano soundboard, microphone, computer) [9 min. 40 sec.].
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Chuck Bettis (computer), Berangère Maximin (computer) [43 min. 34 sec.].
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March 22, 2011 – two trios
mpld (Gill Arno) (modified and amplified slide projectors, computer), Ben Owen (objects, electronics), Ignaz Schick (turntable, objects, electronics) [42 min. 18 sec.].
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Andrea Belfi (drums, percussion, electronics), Attila Faravelli (computer through speakers), Byron Westbrook (Korg MS-10 Synthesizer) [32 min. 20 sec.].
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Download zipped files:
February 27 (3 duos) – ogg [273.9 MB]; 320 kbps mp3 [182.9 MB]
March 22 (2 trios) – ogg [254.4 MB]; 320 kbps mp3 [164.1 MB].

February 27 recorded by Richard Kamerman, March 22 recorded by Byron Westbrook. All mastered by Gill Arno. Thanks to Richard, Byron, and everyone else who played, attended the performances, made pizza, brought wine, shot photos and in any way took part in the events. Additional thanks to Ben Owen for the photo just above. Finally, a special praise to those who during the March event made a donation to the Japan Tsunami Relief Fund (via Keiko Uenishi and Japan Society).



101130 Keiko’s bday, with music and recipes


Seijiro Murayama
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Various factors happened to be aligned quite interestingly last month, somehow giving me a sense of urgency about organizing this Fotofono event, the last of 2010.
Patrick McGinley (a.k.a. murmer) from Framework was stopping by in NY while on his way to New England (Tartu, Estonia, is the place he currently calls home). Percussionist Seijiro Murayama was visiting from Paris for just a few days. And in those same days Keiko Uenishi (o.blaat) was going to celebrate her birthday, giving us a nice pretext for a party.
I decided to call up Ben Owen and ask him if he was into helping me to assemble the lineup for a couple of sets, in the well established tradition of the New York Phonographers. Such guidelines are simple — each participant presents a 10-minute selection of field recordings, segueing into the next one for cycles of about 50 minutes-one hour.
As a matter of fact, such standard form tends to be quite open to individual interpretation, becoming an open ground for various experimental approaches. For example, on this particular occasion, Patrick McGinley and Richard Garet decided to share their individual time slots, improvising together for 20 minutes instead of playing separate sets of 10 minutes each. o.blaat performed with feedback generated in the studio, capturing and manipulating it in real time. Daniel Neumann played selections culled from recordings made by Patrick Franke (who was not present).

As usual, the FF evening began around the dinner table – so, I have decided to take on Patrick’s joke and use recipes to complement and give context to the music posted here. I have collected most of them below, as told by their contributors. Somehow it seems like a nice and fitting way to wrap up this wonderful year at Fotofono.

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Civyiu Kkliu, Anne Guthrie, Eric Laska, Patrick McGinley/Richard Garet [51 min. 27 sec.].
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Seijiro Murayama [43 min. 00 sec.].
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Daniel Neumann (presenting recordings by Patrick Franke), o.blaat, Richard Kamerman, Gill Arno, Ben Owen [56 min. 52 sec.]

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Download zipped files: ogg [494.4 MB]; 320 kbps mp3 [330.8 MB].

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Happy birthday, Keiko!
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And now… cooking session!

The bread [Theres]

This recipe is probably not new to many of you but anyway here it comes:
In the evening mix:
3 cups bread flour
1 1/4 tsp salt
1/4 dry yeast (more in cold weather) or 20g fresh yeast
1 1/3 cups cool water

The dough will look very moist and sticky. No need to knead it, just let it raise overnight and during the day.
In the early afternoon shape the bread and place on a towel dusted with flour and let raise for 2 more hours.
Heat oven to 450F and place cast iron pot in it. When oven is heated take the pot out and invert the dough into it.
Bake in the pot for 30 min and then remove the lid. Bake for about 15 minutes more.
Let the bread cool on a rack.
Enjoy

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Minestrone Partigiano, vegetarian version. [Gill]

There is not one single right way to go about it. What’s really important is to keep track of what each ingredient will add to the whole, and also about how long each ingredient will take to cook so as not to end up with mushy peas, or hard beans, etc.

I prefer using dry beans – cannellini and borlotti, but lima and pinto beans will work just as fine. Dry beans need to be soaked separately for 24 hours or maybe more, and in the meanwhile the water changed two or three times.
Beans bring protein substance, flavor and starch, which makes the soup dense. Potatoes will also add density and also some chunky bites, but their flavor is a bit dull. Garlic, onion, celery, turnip, pumpkin and any other available vegetables may bring more depth to the soup’s flavor. It is not as much a matter of the more the better, as one of personal taste. Something that I always use in this kind of soup is carrots and sweet peas, which add sweetness and color. To increase the flavor and protein content sometimes I add a few pieces of Parmesan crust to the simmering soup. Kids in northern Italy call them ‘crostoloni’, and to find a crostolone in their own dish makes them happy.

Spices are important too. Some people have an almost spiritual relationship to them. For this soup I would carefully mix a very finely ground blend of coriander seed, bay leaves, pepper corn, rosemary, basil, nutmeg and an almost undetectable hint of cinnamon and cloves.

I like to have everything ready and chopped beforehand so once the soup is on the fire I can just check it every now and then, keep adding ingredients and adjusting the stove fire as the soup keeps gently simmering for several hours. If the broth is not quite dense when I believe that everything is perfectly cooked, I just take out a cup of beans with a slotted spoon, mash them with a fork and add them back to the pot.

Salt is traditionally added towards the end.
Commonly used finishing touches: grated Parmesan, and a little bit of some good olive oil, added to each dish according to individual taste.

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carne mechada [Richard Garet]

buy a big chunk of beef brisket.
boil it for long time until it is fully cooked and it is tender
remove from heat and let it become room temperature, and separate it by treads.

in a separate pan sáte one full head (or two) of chopped garlic with olive oil.
when the garlic starts to get golden add a big red onion either chopped or in thin rings cut in half.
after the onions gets cooked and lose their water and before they get fully soft add a crushed tomato from a mid-to-big can (something like 2 full pints of it).
then cook on low fire.

additionally, add some cumin, a touch of curry, salt, and two soup spoons of raw sugar.
basically it should look and feel like there is more sauce than meat.
then put the meat in the sauce and make sure that it’s well mixed together.
as for the wine: uruguayan red wine.
i don’t remember the name though.

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baked potatoes [Ben]

kinda too simple to mention- cut, boil, roast with olive oil salt and pepper.

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Super easy Shugiku (edible chrysanthemum leaves) Salad [Keiko]
- too easy! I’m ashamed to write as a ‘recipe’! ;p

Get:
1 bunch of Shungiku (avail from Sunrise Mart, JAS Mart, etc.  – Japanese supermarkets)
1 box of tofu (medium firm or whatever the firmness you’d prefer…) – better to be dried on paper towel if you have time (for 10 min?!)
bits of Yuzu pepper paste (green pepper version & red pepper version is avail. I used the green pepper one. – also avail from the above-mentioned Japanese supermarkets, or order online like this.
bits of Ponzu shoyu (yuzu shoyu), that is traditionally using bonito extracts in it, but the one I used is not w/ bonito, but w/ yeast extracts – pre-made bottles avail (also from the Japanese supermarkets above) & this one looks good (but never get one called ‘Aji-pon’ from Kikkoman! MSG in it.). Gluten-free version (but not w/ yuzu, it’s w/ lemon juice).

direction:
- Wash & rince the Shungiku bunch.
- Cut the clean Shungiku in 1 inch length & put aside.
- Cut the tofu in small & thin cubes (cut in half of the height, then cut in 4th of the short-side, and finally slice approx less than 1/2 in thickness of the long-side.
- mix above ingredients together. (never mind if some of the tofu would break.)
- sprinkle the Ponzu shoyu (start w/ small amount, and wait ’til you’d mix the next ingredients before adding more.)
- add fingertip-size of Yuzu pepper paste (one again, start w/ small amount. It’s very spicy!)
- Keep adjusting the balance of Ponzu & Yuzu pepper paste. It’s also recommended to leave the marinaded salad for approx 10 min to soak up the flavor before serving.

That’s it!!
It’s best to make your own home-made Ponzu but a bottle purchased from market works just fine!
Enjoy!!!

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Ok – So now I hope that everyone will be able to make their own FF events at home ; )

Final acknowledgments – recorded by Billy Gomberg, Eric Laska and Gill Arno at Fotofono, November 30 2010. Mastered by Gill Arno.
Thanks to everyone for their great contributions of one sort or another, and a special thank you to Billy Gomberg for invaluable recording help. Thanks also to Ricky Laska for handling the recorder during the last set.
Happy 2011, folks!



101003: twice good

The last Fotofono event was my favorite so far.
I always have to refrain from starting my posts like this, but this time I am not going to stop it. Eight participants were in, four locals and four from elsewhere. As good as they happened to be, the performances were preceded and I think activated by a potluck feast.

Something fundamental about Fotofono has become clear – on one side there is the high-quality music, while on the other side there is a wholehearted participatory aspect. Everybody realizes this causality, yet immediate (-ist?) relations seem to be complicated in a city like New York (or perhaps it is a matter of times rather than places).

So – cheers, everyone who has helped to make this a tangible reality, artists and audiences alike. The blog is now one year old! Starting today, all the great improvisers and friends of Fotofono will be listed in the category index under ‘participants abc’.

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Bonnie Jones (electronics, mics, cassettes), Andrea Neumann (inner piano, etc.) [22 min. 56 sec.].
The opening set was the tail end of a tour that took Andrea and Bonnie up and down on a segment of the East coast. Their performance was enhanced by a remarkably confident interaction. The use of vocal sounds and singing was startling, at least to me – for a moment I felt transported to the intimate space of their car, in that time/space bubble in which you get when touring.. one city behind you, the next one a handful of hours beyond.
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Margarida Garcia (amplified upright bass), Andrew Lafkas (acoustic upright bass), Barry Weisblat (electric piano) [27 min. 26 sec.].
Barry and Margarida have for sure a well established affinity in sound, and this is the first time that I see Andrew joining them for a trio. I think the three reached an incredible chemistry together. Spacey and kinda spooky, yet perfectly solid and attuned, this piece seems to come from another world.
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Tim Catlin (electric sitar, electronics), Chris Cogburn (percussion, electronics) mpld (amplified slide projectors, computer) [38 min. 35 sec.]
Chris, Tim and I meet here for the first time as a trio. Actually, Tim and Chris had never met before, but were nice enough to try out this combo offhand. Our set was quiet, evolving slowly, longish, and yet very focused. I think that our search for a common space is palpable. I should leave any further comments to the listeners, really… still, a big joy for me to be in this group.
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Download zipped files: ogg [284 MB]; 320 kbps mp3 [195.8 MB].

Recorded by Gill Arno at Fotofono, October 3 2010.
Thanks to Jo Jepsen for the photos of the second and third set.



More steam, and a fan

With this post, the summer series of our open doors events is entirely archived. Recordings and images this time are from the concert of  July 15, which opened with Fyxzis, the A/V project of Corey Larkin, Richard Kamerman and Steve Flato. The trio offered a great blend of digital sound (by Larkin and Flato) and analog video processing (by Kamerman).

Fyxzis was followed by a duo of Ben Owen and o.blaat (Keiko Uenishi), and by a solo set by Richard Francis.

Meeting for the first time as a duo, Ben and Keiko brought in a variety of small microphones, objects and circuits, plus Keiko’s trademark wii-controlled feedback resonator. In addition to that, they also grabbed a large fan from the living room. The fan seems to become huge in the recording, as Keiko maneuvered deftly in the crammed and sweaty Fotofono, simultaneously delivering aural and thermal delight.

Richard Francis ended the evening playing modular synthesizer and computer to create a soothing, airy drone piece. At times, the relaxed chatter of a couple emerged from the slowly shifting hum. The voices sound like an overheard dialogue, close but indistinct, adding a disembodied presence that ebbs in and out of focus through the dreamy atmosphere.




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Fyxzis – Steven Flato (electronics, sound), Corey Larkin (electronics, sound),
Richard Kamerman (electronics, visuals) [21 min. 28 sec.].
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Ben Owen (electronics, objects) o.blaat (Keiko Uenishi) (objects, computer) [17 min. 16 sec.].
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Richard Francis (synthesizer, computer) [21 min. 47 sec.].
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Download zipped files: ogg [200.4 MB]; 320 kbps mp3 [133.7 MB].

Recorded by Gill Arno at Fotofono, July 15 2010.
Thanks to Richard Kamerman for the video stills. Richard has posted a 15 minute video from this performance on Vimeo.




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